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Advisor(s)
Abstract(s)
O aumento do uso das tecnologias e plataformas digitais, ligadas à televisão,
leva-nos a considerar a existência de uma nova era audiovisual. Deste modo, o presente
relatório de estágio tem como objetivo compreender de que forma a Rádio e Televisão
de Portugal (RTP) se tem adaptado ao novo panorama digital, utilizando como porta de
entrada o programa “5 Para a Meia-Noite”, produzido nos estúdios da RTP. Esta
análise dedica-se à compreensão da sua adaptação à nova era digital, tanto do ponto de
vista de produção como de receção. A investigação surgiu no âmbito do estágio no
departamento de produção, na RTP. Para tal, fundada numa pesquisa bibliográfica, foi
possível analisar e construir um enquadramento teórico que permitiu o desenvolvimento
do estudo de caso em questão. Foi realizada uma análise da produção e receção do
programa, através de documentos fornecidos pela RTP e do inquérito por questionário
realizado aos telespectadores do programa, para uma melhor compreensão da sua forma
de consumo. Concluído o trabalho, constatámos que tanto a RTP como o programa “5
para a Meia Noite”, têm-se vindo a adaptar à nova era digital, contando ainda com
alguma resistência dos telespectadores na utilização das novas formas de interação,
contrariando a narrativa vigente de que há uma massificação do uso das tecnologias
para consumo audiovisual.
The increase in use of technological and digital platforms connected to the television makes us consider the existence of a new audiovisual era. Thus, the report focuses on understanding in what way Rádio e Televisão de Portugal has been able to adapt to new digital landscape by using the tv show “5 Para a Meia-Noite” as a paradigm, produced in the RTP studios. This analysis focuses its study on the understanding of RTP’s adaptation in both the production and reception point of views. The investigation arose within the internship on the production department in RTP, with the creation of the case study about the talk show “5 Para a Meia-Noite”, as a consequence of being one of the most accompanied shows. For this purpose and through a literature research, it was possible to analyze and construct a theoretical framing that enabled the development of the study case issued. An analysis of the show’s production and reception was carried out, via documents provided by RTP and data from the inquiries conducted to the viewers of the show for a better understanding of their consumption. With the report finalized, it was found that both RTP as well as the tv show “5 Para a Meia-Noite” have been adapting to the new digital era, taking into consideration the viewer’s reluctance to use the new ways if interaction, going against the current narrative that there is massification of the use of technologies for audiovisual consumption.
The increase in use of technological and digital platforms connected to the television makes us consider the existence of a new audiovisual era. Thus, the report focuses on understanding in what way Rádio e Televisão de Portugal has been able to adapt to new digital landscape by using the tv show “5 Para a Meia-Noite” as a paradigm, produced in the RTP studios. This analysis focuses its study on the understanding of RTP’s adaptation in both the production and reception point of views. The investigation arose within the internship on the production department in RTP, with the creation of the case study about the talk show “5 Para a Meia-Noite”, as a consequence of being one of the most accompanied shows. For this purpose and through a literature research, it was possible to analyze and construct a theoretical framing that enabled the development of the study case issued. An analysis of the show’s production and reception was carried out, via documents provided by RTP and data from the inquiries conducted to the viewers of the show for a better understanding of their consumption. With the report finalized, it was found that both RTP as well as the tv show “5 Para a Meia-Noite” have been adapting to the new digital era, taking into consideration the viewer’s reluctance to use the new ways if interaction, going against the current narrative that there is massification of the use of technologies for audiovisual consumption.
Description
Keywords
RTP 5 Para a Meia-Noite Nova era audiovisual Talk show New audiovisual era