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A revisitação saramaguinana do mito de Don Juan à luz da ópera Il Dissoluto Punito, Ossia il Don Giovanni
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Abstract(s)
O objetivo deste trabalho de investigação é a abordagem intertextual da obra Don Giovanni ou O Dissoluto Absolvido, de José Saramago, bem como captar as transformações que o autor operou na reescrita do mito de Don Juan. O trabalho divide-se em duas partes, na primeira são estudadas as transformações sofridas pelo tema, mais especificamente nas obras citadas pelo autor, apontando marcas comuns ou contrastantes que acreditamos terão condicionado e influenciado a metamorfose operada por Saramago no mito. A segunda parte deste trabalho de investigação incidiu na obra Don Giovanni ou O dissoluto absolvido e no diálogo e/ou tensões resultantes do estudo comparativo com os textos literários precedentes. Na análise à obra foi cuidada a língua e estilo do autor, o vasto universo paramiológico presente no texto, bem como o discurso carnavalizador e a intenção de paródia relativamente ao hipotexto Don Giovanni, Il dissoluto punito ossia il Don Giovanni de W. A. Mozart e Lorenzo da Ponte. À guia de conclusão debruçamo-nos sobre a verdade subentendida por entre as linhas da obra e no que José Saramago verdadeiramente nos pretendeu transmitir através da sua perspetiva pós-modernista do mito de Don Juan.
The objective of this research is the intertextual approach of the book Don Giovanni or The Dissolute absolved, by José Saramago, as well as capturing the transformations that the author operated in the rewriting of the myth of Don Juan. The work is divided into two parts. In the first one the transformations undergone by the theme are studied, more specifically in the texts cited by the author, pointing out common or contrasting marks that we believe will have conditioned and influenced the metamorphosis operated by Saramago in the myth. The second part of this research focused on the book Don Giovanni or Dissolute absolved and on the dialogue and/or tensions resulting from the comparative study with previous literary texts. In this approach, we proceed to the analysis of the book, language and style of the author, the vast paramiological universe present in the text, as well as the carnival discourse and the parody intention with respect to the hypotext Don Giovanni, Il dissoluto punito ossia il Don Giovanni by W. A. Mozart and Lorenzo da Ponte. The conclusion guide deals with the truth implied by the lines of the book and what José Saramago truly intended to convey to us through his postmodernist perspective of the myth of Don Juan.
The objective of this research is the intertextual approach of the book Don Giovanni or The Dissolute absolved, by José Saramago, as well as capturing the transformations that the author operated in the rewriting of the myth of Don Juan. The work is divided into two parts. In the first one the transformations undergone by the theme are studied, more specifically in the texts cited by the author, pointing out common or contrasting marks that we believe will have conditioned and influenced the metamorphosis operated by Saramago in the myth. The second part of this research focused on the book Don Giovanni or Dissolute absolved and on the dialogue and/or tensions resulting from the comparative study with previous literary texts. In this approach, we proceed to the analysis of the book, language and style of the author, the vast paramiological universe present in the text, as well as the carnival discourse and the parody intention with respect to the hypotext Don Giovanni, Il dissoluto punito ossia il Don Giovanni by W. A. Mozart and Lorenzo da Ponte. The conclusion guide deals with the truth implied by the lines of the book and what José Saramago truly intended to convey to us through his postmodernist perspective of the myth of Don Juan.
Description
Keywords
Don Juan Don Giovanni Saramago Mozart Da Ponte Mito Donjuanismo Tirso de Molina Myth Donjuanism