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Soundscapes as documentary: warrant in animated film

dc.contributor.authorBento, Bernardo
dc.date.accessioned2026-05-22T15:33:14Z
dc.date.available2026-05-22T15:33:14Z
dc.date.issued2026-05-01
dc.description.abstractIn animated documentary films, realism is often achieved with the use of real audio interviews. While many theorists argue that these recordings validate the genre, this research examines how the overall soundtrack reinforces the documentary classification of animated films. Can an animated documentary establish a sense of reality through sound? This study addresses the gap between theoretical frameworks by R. Murray Schafer, Barry Truax, Michel Chion, and Randolph Jordan, and their application to animated documentary film. Using the animated film Percebes as a case study, this article explores how soundscapes contribute to the pursuit for realism and an emotional experience. This study explores how the environmental sounds construct a narrative that reflects the changing acoustic identity of the Algarve region. Does sound serve as a bridge between animation and reality? Is this connection essential to animated documentary?eng
dc.identifier.doi10.34632/9789725411995_7
dc.identifier.otherd17f5930-8db3-4e5f-84f9-401353074cb3
dc.identifier.urihttp://hdl.handle.net/10400.14/57803
dc.language.isoeng
dc.peerreviewedyes
dc.publisherUCP Editora
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/
dc.subjectSoundscapeeng
dc.subjectAnimated documentaryeng
dc.subjectSound designeng
dc.subjectAcoustic ecologyeng
dc.subjectAudiovisual ecologyeng
dc.titleSoundscapes as documentary: warrant in animated film
dc.typebook part
dspace.entity.typePublication
oaire.citation.endPage143
oaire.citation.startPage124
oaire.citation.titleThe new sentient and spectrums
oaire.versionhttp://purl.org/coar/version/c_970fb48d4fbd8a85

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