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Soundscapes as documentary: warrant in animated film
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| 13.12 MB | Adobe PDF |
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Resumo(s)
In animated documentary films, realism is often achieved with the use of real audio interviews. While many theorists argue that these recordings validate the genre, this research examines how the overall soundtrack reinforces the documentary classification of animated films. Can an animated documentary establish a sense of reality through sound? This study addresses the gap between theoretical frameworks by R. Murray Schafer, Barry Truax, Michel Chion, and Randolph Jordan, and their application to animated documentary film. Using the animated film Percebes as a case study, this article explores how soundscapes contribute to the pursuit for realism and an emotional experience. This study explores how the environmental sounds construct a narrative that reflects the changing acoustic identity of the Algarve region. Does sound serve as a bridge between animation and reality? Is this connection essential to animated documentary?
Descrição
Palavras-chave
Soundscape Animated documentary Sound design Acoustic ecology Audiovisual ecology
Contexto Educativo
Citação
Editora
UCP Editora