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A obra pictórica de Abel Salazar: estudo técnico e material da camada pictórica
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O estudo da obra pictórica de Abel Salazar resultou na dissertação do Mestrado em Técnicas e Conservação de Pintura, da Universidade Católica Portuguesa. Teve como base a informação recolhida durante a intervenção de conservação e restauro do espólio existente na sua Casa-Museu (2003/4), e os estudos físicos e físico-químicos levados a cabo pelo laboratório de exames. Foi possível determinar a técnica, os materiais, nomeadamente os pigmentos e cargas de sete obras de períodos diversos do artista.
The study of the pictorial works of Abel Salazar was the outcome of the Master of Techniques and Conservation of Painting’s essay, at the Universidade Católica Portuguesa. It was based on all information gathered during the conservation and restoration works held on the collection of the Museum House (2003/4), and the physical and physical-chemical studies undertaken by the Laboratory. It was possible to determine the technique, materials, such as pigments and charges used by the artist on seven of his master-pieces, referring to different periods.
The study of the pictorial works of Abel Salazar was the outcome of the Master of Techniques and Conservation of Painting’s essay, at the Universidade Católica Portuguesa. It was based on all information gathered during the conservation and restoration works held on the collection of the Museum House (2003/4), and the physical and physical-chemical studies undertaken by the Laboratory. It was possible to determine the technique, materials, such as pigments and charges used by the artist on seven of his master-pieces, referring to different periods.
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Abel Salazar Aglutinante Materiais Materials Mediums Pigmentos Pigments Techniques Técnicas
Contexto Educativo
Citação
Brito, A. (2010). A obra pictórica de Abel Salazar: estudo técnico e material da camada pictórica. Estudos de Conservação e Restauro, (2), 96-109. https://doi.org/10.34618/ecr.2.3158