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A arte e a liturgia são semelhantes à dança pugnaz de Jacob com o divino, na busca de uma aurora rumorejante que assegure a vitória. O combate não pode, de modo algum, ser estranho à fé, nem tampouco àquela arte que visa exprimir e proporcionar a experiência religiosa do encontro. A presente dissertação procura desenvolver, à luz da paradigmática luta de Jacob com o Anjo, as múltiplas expressões de combate que encontramos no abundante manancial da arte e da liturgia. No primeiro capítulo, desenvolvem-se os múltiplos âmbitos de compreensão do conceito de combate proposto, explicitamente ancorados na Sagrada Escritura. No segundo capítulo, apresenta-se o sentido espiritual da arte, expondo-a nas suas várias formas e fases, enquanto expressões eloquentes de combate, chegando a assemelhar as experiências estéticas às experiências místicas. No terceiro capítulo, considera-se toda a eucologia e tudo quanto diz respeito aos sacramentos, ritos, gestos e símbolos litúrgicos; propondo, por fim, vias para uma liturgia de combate.
Art and the liturgy are similar to Jacob's pugnacious dance with the divine in search of a rumbling aurora that will ensure victory. Combat cannot be alien to faith, nor to that art which aims to express and provide the religious experience of encounter. In light of Jacob's paradigmatic struggle with the angel, this dissertation seeks to develop the multiple expressions of combat in the abundant wealth of art and liturgy. In the first chapter, we delve into the numerous areas of understanding of the proposed concept of combat that are developed and explicitly anchored in Sacred Scripture. In the second chapter, the spiritual meaning of art is presented, exposing it in its various forms and phases as eloquent expressions of combat, even going so far as to liken aesthetic experiences to mystical experiences. The third chapter considers the eucology and everything related to the sacraments, rites, gestures and liturgical symbols; finally proposing ways for a combat liturgy.
Art and the liturgy are similar to Jacob's pugnacious dance with the divine in search of a rumbling aurora that will ensure victory. Combat cannot be alien to faith, nor to that art which aims to express and provide the religious experience of encounter. In light of Jacob's paradigmatic struggle with the angel, this dissertation seeks to develop the multiple expressions of combat in the abundant wealth of art and liturgy. In the first chapter, we delve into the numerous areas of understanding of the proposed concept of combat that are developed and explicitly anchored in Sacred Scripture. In the second chapter, the spiritual meaning of art is presented, exposing it in its various forms and phases as eloquent expressions of combat, even going so far as to liken aesthetic experiences to mystical experiences. The third chapter considers the eucology and everything related to the sacraments, rites, gestures and liturgical symbols; finally proposing ways for a combat liturgy.
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Combate Luta Arte Liturgia Mistério Jacob Anjo Combat Fight Art Liturgy Mystery Angel