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Abstract(s)
Este trabalho visa a elaboração de um estudo científico e de conservação das obras executadas por Candido Portinari para o Palácio Gustavo Capanema, edificação construída no período entre 1937 e 1943. Especificamente neste artigo focaremos o painel de afresco Pau Brasil, uma das pinturas do primeiro conjunto de painéis a serem pintados, intitulado Ciclos Econômicos. Foi utilizada técnica de análise de Fluorescência de Raios-X para a caracterização de pigmentos e argamassa que compõem a obra, cujos resultados visam determinar quais os materiais utilizados para comparação com as demais obras de Portinari que serão alvo de estudos posteriores, bem como parâmetros para a elaboração de orientações de futuras ações conservativas e como contributos para a história da arte.
This work aims at conserving and elaborating a scientific study of the works conceived by Candido Portinari for the Gustavo Capanema Palace, a building built at the beginning of the 20th century, in the period between 1937 and 1943. Specifically, in this article, we will focus on the fresco panel Pau Brazil one of the paintings of the panel set entitled Economic Cycles, the first ones to be painted. It was used X-ray Fluorescence analysis technique for the characterization of pigments and mortar that make up the work, whose results aim to determine which materials were used and what changes occurred by pollution, as parameters for the elaboration of guidelines for future conservative actions and as contributions to art history.
This work aims at conserving and elaborating a scientific study of the works conceived by Candido Portinari for the Gustavo Capanema Palace, a building built at the beginning of the 20th century, in the period between 1937 and 1943. Specifically, in this article, we will focus on the fresco panel Pau Brazil one of the paintings of the panel set entitled Economic Cycles, the first ones to be painted. It was used X-ray Fluorescence analysis technique for the characterization of pigments and mortar that make up the work, whose results aim to determine which materials were used and what changes occurred by pollution, as parameters for the elaboration of guidelines for future conservative actions and as contributions to art history.
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Keywords
Portinari Pintura mural Conservação Preservação Monitoramento ambiental Mural paintings Conservation Preservation Environmental monitoring