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O presente relatório descreve o processo de conceção, desenvolvimento e realização do projeto de curta-metragem de animação Void Inspiration, elaborado no âmbito do Mestrado em Som e Imagem, com especialização em Animação. O filme, com duração aproximada de 9 minutos e 30 segundos, mistura técnicas de animação 2D digital e analógica, animação 3D e imagem real, explorando temas como o bloqueio criativo, a integridade artística e a crítica ao panorama atual da arte e da tecnologia. A narrativa acompanha Pirro, um jovem artista em crise criativa, que, ao encontrar uma folha misteriosa, é transportado para um universo onírico e simbólico. Nesse mundo, Pirro visita reinos habitados por entidades que representam diferentes corrupções da arte contemporânea: a inteligência artificial desumanizante, a indústria cultural capitalista, a crítica académica sobreintelectualizada, a sexualização banalizada e, por fim, a oferta faustiana da perda da alma pela inspiração. O quadrado negro: símbolo central inspirado na obra de Kazimir Malevich, que encarna a figura do diabo e representa a corrupção abstrata que permeia o mundo artístico moderno. O projeto combina uma abordagem estética experimental com forte carga simbólica e referências bíblicas, filosóficas e históricas. Foram utilizadas ferramentas de inteligência artificial de forma crítica, explorando suas capacidades e limitações enquanto questionando sua ética, impacto na autoria e uso de dados alheios. O filme reflete também sobre a responsabilidade moral do artista e propõe uma arte baseada na autenticidade e resistência à corrupção. O processo de produção envolveu uma intensa pesquisa teórica e visual, bem como uma execução técnica rigorosa, maioritariamente realizada pelo próprio autor. A curta pretende assim ser não só uma obra estética, mas também um ensaio visual sobre a luta espiritual do criador artístico na contemporaneidade.
This report describes the process of conception, development and realization of the animated short film project Void Inspiration, made as part of the master’s degree in Sound and Image, specializing in Animation. The film, which lasts approximately 9 minutes and 30 seconds, mixes 2D digital and analogue animation techniques, 3D animation and live-action images, exploring themes such as creative block, artistic integrity and a critique of the current panorama of art and technology. The narrative follows Pirro, a young artist in creative crisis, who, upon finding a mysterious paper, is transported to a dreamlike universe. In this world, Pirro visits realms inhabited by entities that represent different corruptions of contemporary art: dehumanizing artificial intelligence, the capitalist industry, over-intellectualized academic criticism, trivialized sexualization and, finally, the Faustian offer of the loss of the soul through inspiration. The black square: a central symbol inspired by the work of Kazimir Malevich, which embodies the figure of the devil and represents the abstract corruption that permeates the modern art world. The project combines an experimental aesthetic approach with a strong symbolic charge and biblical, philosophical and historical references. Artificial intelligence tools were used critically, exploring their capabilities and limitations while questioning their ethics, impact on authorship and use of other people's data. The film also reflects on the moral responsibility of the artist and proposes an art based on authenticity and resistance to corruption. The production process involved intense theoretical and visual research, as well as rigorous technical execution, mostly carried out by the author himself. The short film thus aims to be not only an aesthetic work, but also a visual essay on the spiritual struggle of the artistic creator in contemporary times.
This report describes the process of conception, development and realization of the animated short film project Void Inspiration, made as part of the master’s degree in Sound and Image, specializing in Animation. The film, which lasts approximately 9 minutes and 30 seconds, mixes 2D digital and analogue animation techniques, 3D animation and live-action images, exploring themes such as creative block, artistic integrity and a critique of the current panorama of art and technology. The narrative follows Pirro, a young artist in creative crisis, who, upon finding a mysterious paper, is transported to a dreamlike universe. In this world, Pirro visits realms inhabited by entities that represent different corruptions of contemporary art: dehumanizing artificial intelligence, the capitalist industry, over-intellectualized academic criticism, trivialized sexualization and, finally, the Faustian offer of the loss of the soul through inspiration. The black square: a central symbol inspired by the work of Kazimir Malevich, which embodies the figure of the devil and represents the abstract corruption that permeates the modern art world. The project combines an experimental aesthetic approach with a strong symbolic charge and biblical, philosophical and historical references. Artificial intelligence tools were used critically, exploring their capabilities and limitations while questioning their ethics, impact on authorship and use of other people's data. The film also reflects on the moral responsibility of the artist and proposes an art based on authenticity and resistance to corruption. The production process involved intense theoretical and visual research, as well as rigorous technical execution, mostly carried out by the author himself. The short film thus aims to be not only an aesthetic work, but also a visual essay on the spiritual struggle of the artistic creator in contemporary times.
Descrição
Palavras-chave
Animação mista Curta-metragem Animação independente Inteligência artificial Ética na arte Simbolismo religioso Mixed animation Short film Independent animation Artifical intelligence Ethics in art Religious symbolism
Contexto Educativo
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Licença CC
Sem licença CC
