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Abstract(s)
Este breve ensaio sobre a arte poética de Sophia, vertida não só nos seus conhecidos textos (Arte Poética) mas em toda a sua Obra, pretende alcançar a matéria-prima sobre a qual a poeta portuense constrói o seu olhar sobre o mundo. Nesse olhar convergem o sagrado, o transcendente e o peculiarmente cristão, o melhor da cultura ocidental, desde Homero a Rilke ou Hölderlin, ou «a exactidão da Cruz, na luz branca de Creta».
This brief essay on Sophia's poetic art, spilled not only in her well-known texts (Arte Poetica) but throughout her work, aims to reach the raw material on which the Porto poet builds her gaze on the world. In this look, the sacred, the transcendent and the peculiarly Christian converge, the best of Western culture, from Homer to Rilke or Holderlin, or "the accuracy of the Cross, in the white light of Crete"
This brief essay on Sophia's poetic art, spilled not only in her well-known texts (Arte Poetica) but throughout her work, aims to reach the raw material on which the Porto poet builds her gaze on the world. In this look, the sacred, the transcendent and the peculiarly Christian converge, the best of Western culture, from Homer to Rilke or Holderlin, or "the accuracy of the Cross, in the white light of Crete"
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Keywords
Sophia Hölderlin Sagrado Transcendência Cristianismo Sacred Transcendence Christianity