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Modos de paródia na escrita de José Saramago

dc.contributor.authorMartins, José Cândido de Oliveira
dc.date.accessioned2023-07-21T13:10:05Z
dc.date.available2023-07-21T13:10:05Z
dc.date.issued2022-03
dc.description.abstractThree novels by the Portuguese writer José Saramago - Levantado do chão, Memorial do Convento and O ano da morte de Ricardo Reis - are the subject of analysis for the proposal of a poetics of parody in the author's novel writing. To do so, it is necessary to start from an updated conception of the metagenre of parody, distinguishing several operative dimensions - intertextual parody, architectural parody and interdiscursive parody. In this way, this study aims to analyse the various operative and semantic dimensions of parody; and, at the same time, to question the place of parody in the aesthetic and cultural worldview of this author.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.eid85160261056
dc.identifier.issn2155-8817
dc.identifier.urihttp://hdl.handle.net/10400.14/41821
dc.language.isoporpt_PT
dc.peerreviewedyespt_PT
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/pt_PT
dc.subjectJosé Saramagopt_PT
dc.subjectPostmodernismpt_PT
dc.subjectParodypt_PT
dc.subjectIntertextualitypt_PT
dc.subjectArchitextualitypt_PT
dc.subjectInterdiscursivitypt_PT
dc.titleModos de paródia na escrita de José Saramagopt_PT
dc.title.alternativeModes of parody in José Saramago's writingpt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage34pt_PT
oaire.citation.startPage17pt_PT
oaire.citation.titleCincinnati Romance Reviewpt_PT
oaire.citation.volume52pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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