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The aestheticisation of politics in the digital age: from Leni Riefenstahl to computational propaganda with AI

dc.contributor.authorSantos, Nuno Miguel Rodrigues dos
dc.date.accessioned2026-06-01T17:11:08Z
dc.date.available2026-06-01T17:11:08Z
dc.date.issued2026-04-17
dc.description.abstractThis article examines the evolution of the aestheticisation of politics and mass propaganda, tracing a comparative line between the cinematic techniques of Leni Riefenstahl in Nazi Germany and contemporary strategies of computational propaganda and generative artificial intelligence (AI). Drawing on Walter Benjamin's theoretical frameworks on the "aura" of the work of art and the aestheticisation of politics, and on Susan Sontag's "fascinating fascism", it is argued that generative AI represents a new phase in mass manipulation. This technology amplifies and personalises historical propaganda tactics, eroding the "aura" of truth and contributing to an epistemic collapse. Through a critical-comparative analysis, the study aims to offer a theoretical framework connecting historical propaganda to its digital counterpart, highlighting continuities and discontinuities, and exploring the ethical and social implications of AI in the public sphere.eng
dc.identifier.doi10.21203/rs.3.rs-9401967/v1
dc.identifier.other2cd833cb-899a-490b-9c70-026b55a992ed
dc.identifier.urihttp://hdl.handle.net/10400.14/57888
dc.language.isoeng
dc.publisherResearch Square
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subjectAestheticisation of politicseng
dc.subjectPropagandaeng
dc.subjectLeni Riefenstahleng
dc.subjectArtificial intelligenceeng
dc.subjectDeepfakeseng
dc.subjectWalter Benjamineng
dc.subjectSusan Sontageng
dc.titleThe aestheticisation of politics in the digital age: from Leni Riefenstahl to computational propaganda with AI
dc.typepreprint
dspace.entity.typePublication
oaire.versionhttp://purl.org/coar/version/c_970fb48d4fbd8a85

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