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Art in the Digital during and after Covid: Aura and Apparatus of Online Exhibitions

2021Artigo científico Acesso aberto
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dc.contributor.authorAmorim, João Pedro
dc.contributor.authorTeixeira, Luis Miguel Lopes
dc.date.accessioned2020-10-26T18:31:14Z
dc.date.available2020-10-26T18:31:14Z
dc.date.issued2021
dc.description.abstractThe public health measures that were put in place to contain COVID-19 impacted the lives of people and institutions alike. For its global impact and transformation, the pandemic has the potential to be classified as a mega-event. Such radical events have become great opportunities to the testing of new technologies and forms of organisation, (Masi, 2016) that might in the future become prevalent. The impact of the pandemic was particularly felt in the contemporary art world, as the entire cultural activity was suspended. During this period, art institutions and collectives around the world reacted by adapting and providing alternative materials online. This paper aims at reflecting upon the challenges facing the exhibition of contemporary art online. Following Boris Groys’ (2016) actualisation of Walter Benjamin, we problematise how the digital reproduction of art affects the aura of an artwork. Proposing a critique of the apparatus of digital platforms, we analyse how the digital reproduces and enhances ideological structures that overpass the whole of society. For that purpose we analyse how four different organisations (an artist-run space, an art gallery, a museum and an art biennale) have migrated their activity to online platforms. The casestudies will allow a broad understanding of the different approaches available – with some radically taking advantage of the digital environment, and others merely digitising the role taken henceforth by printed catalogues.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationAmorim, J. P., & Teixeira, L. (2021). Art in the digital during and after COVID: aura and apparatus of online exhibitions. Rupkatha Journal on Interdisciplinary Studies in Humanities, 12(5). https://doi.org/10.21659/RUPKATHA.V12N5.RIOC1S1N2pt_PT
dc.identifier.doi10.21659/rupkatha.v12n5.rioc1s1n2pt_PT
dc.identifier.eid85098858130
dc.identifier.issn0975-2935
dc.identifier.urihttp://hdl.handle.net/10400.14/31158
dc.identifier.wos000600059500044
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.relationNORTE-01-0145-FEDER-022133pt_PT
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/
dc.subjectReproducibility of the work of artpt_PT
dc.subjectArt in the digitalpt_PT
dc.subjectContemporary artpt_PT
dc.subjectApparatuspt_PT
dc.subjectAura
dc.titleArt in the Digital during and after Covid: Aura and Apparatus of Online Exhibitionspt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage8pt_PT
oaire.citation.issue5pt_PT
oaire.citation.startPage1pt_PT
oaire.citation.titleRupkatha Journal on Interdisciplinary Studies in Humanitiespt_PT
oaire.citation.volume12pt_PT
person.familyNameAmorim
person.familyNameTeixeira
person.givenNameJoão Pedro
person.givenNameLuis Miguel Lopes
person.identifierR-000-9R6
person.identifier.ciencia-id7B14-AFBC-4444
person.identifier.ciencia-id4E12-263B-3CF6
person.identifier.orcid0000-0002-0267-1276
person.identifier.orcid0000-0002-1206-4576
person.identifier.scopus-author-id16040894700
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT
relation.isAuthorOfPublication6edb19cf-f704-404b-a10f-161b897e27aa
relation.isAuthorOfPublicationc2b695e8-bb9a-4a2f-9dfc-86d4f1ec3faf
relation.isAuthorOfPublication.latestForDiscoveryc2b695e8-bb9a-4a2f-9dfc-86d4f1ec3faf

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