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On memory and post-truth: through the family album

dc.contributor.authorMachado, Marta Pinto
dc.date.accessioned2022-12-13T17:31:59Z
dc.date.available2022-12-13T17:31:59Z
dc.date.issued2022-07-08
dc.description.abstractFacing an idea of post-truth, “post” as meaning to be beyond something, that signifies spatial distance, to go beyond the unrepresentable, this article means to understand the built memory around a constructed truth over a picture of a colonial priest also my great-grandfather of my Cape Verdean family, questioning the regime of truth in which it was made and the relationship within the truth production context. Taking this figure as a pretext to analyse the processes of memory, history and representation, it’s meant to understand an idea of truth.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.doi10.34632/jsta.2022.11620pt_PT
dc.identifier.eid85175073673
dc.identifier.issn1646-9798
dc.identifier.urihttp://hdl.handle.net/10400.14/39549
dc.identifier.wos000886546100002
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectColonialismpt_PT
dc.subjectHistorypt_PT
dc.subjectMemorypt_PT
dc.subjectRegime of truthpt_PT
dc.subjectRepresentationpt_PT
dc.titleOn memory and post-truth: through the family albumpt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage40pt_PT
oaire.citation.issue2pt_PT
oaire.citation.startPage29pt_PT
oaire.citation.titleJournal of Science and Technology of the Artspt_PT
oaire.citation.volume14pt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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