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Sagres' saga. Monument in the landscape, or landscape as monument?

dc.contributor.authorAbreu, José Guilherme
dc.date.accessioned2025-08-12T15:37:19Z
dc.date.available2025-08-12T15:37:19Z
dc.date.issued2012-01-01
dc.description.abstractWith this text we intend to discuss the main theoretic issues connected to the problems of the conception and approval of public sculpture monumental projects, raised by of a series of four official competitions that were launched in Portugal, between 1933 and 1988, aiming to build a monument alluding to Prince Henry the Navigator, to be erected in Sagres Promontory, in the extreme south-west corner of the country. Covering a period of more than fifty years, because they retain the same thematic focus, these sequential competitions allows us to put in perspective the evolution and the involution, as well as the gaps and the links between the successive programs, and the winning solutions of each editioneng
dc.identifier.doi10.7559/citarj.v4i1.58
dc.identifier.issn1646-9798
dc.identifier.othera981b6bd-8b41-4549-81d0-8e67f0301c71
dc.identifier.urihttp://hdl.handle.net/10400.14/54459
dc.language.isoeng
dc.peerreviewedyes
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subjectArt history
dc.subjectMonumentality
dc.subjectPublic art
dc.subjectStatuary
dc.titleSagres' saga. Monument in the landscape, or landscape as monument?eng
dc.typeresearch article
dspace.entity.typePublication
oaire.citation.endPage25
oaire.citation.issue1
oaire.citation.startPage11
oaire.citation.titleJournal of Science and Technology of the Arts
oaire.citation.volume4
oaire.versionhttp://purl.org/coar/version/c_970fb48d4fbd8a85

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