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Bio-art: an unlikely symbiosis of science and art in the case of Maja Smrekar’s K- 9_topology

dc.contributor.authorKovic, Amadea
dc.date.accessioned2022-05-20T08:25:27Z
dc.date.available2022-05-20T08:25:27Z
dc.date.issued2021-06
dc.description.abstractBio-art, fostering connections between seemingly distant areas of science and art, has in recent years opened a myriad of new possibilities for artists. In ARTE_mis (2017), concluding part of her three-year-long artistic investigation K-9_topology (2014–2017), Slovenian transdisciplinary artist Maja Smrekar used her emptied reproductive cell as a host for a somatic cell of her dog Ava. The hybrid cell was preserved in liquid nitrogen to serve as a symbol of blurring the borders between human and nonhuman while questioning the Anthropocene. The purpose of this critical analysis is to unfold the multiple layers of the convivial relationship between art and science in the context of Smrekar’s K-9_topology, and investigate the ways in which their correlation emphasizes the activist component of the artwork. I argue that the juxtaposition of art and science fosters a unique type of socially engaged artwork, in which the medium is essential for conveying the activist message.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.urihttp://hdl.handle.net/10400.14/37657
dc.language.isoengpt_PT
dc.peerreviewednopt_PT
dc.subjectBio-artpt_PT
dc.subjectCyborgpt_PT
dc.subjectPosthumanpt_PT
dc.subjectNonhumanpt_PT
dc.subjectHybridpt_PT
dc.titleBio-art: an unlikely symbiosis of science and art in the case of Maja Smrekar’s K- 9_topologypt_PT
dc.typeconference object
dspace.entity.typePublication
oaire.citation.conferencePlacePortugalpt_PT
oaire.citation.titleXI Lisbon Summer School for the Study of Culture: Convivial Culturespt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typeconferenceObjectpt_PT

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