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Why listen with animals? Straining toward an environmental resonance

dc.contributor.authorLuz, Nuno da
dc.date.accessioned2025-05-26T15:26:56Z
dc.date.available2025-05-26T15:26:56Z
dc.date.issued2024-06-21
dc.description.abstractThis article summons John Berger’s essay Why Look at Animals?, reframing its analysis on human–animal relations under Modernity (with its emphasis on the gaze at a distance) through the entangled reflexivities of listening together with more-than-humans others. If for Berger, animals “in zoos … constitute[d] the living monument to their own disappearance,” field recording helped enshrine their extinction while archiving their voices. Here, I intend to stress the significance of more-than-human vibrations and sounds as transformative zones of contact, especially in our increasingly impoverished urban biomes. And by arguing for an expansion of vibrational attention to such social-environmental contexts, re-assess listening as an eco-sensible methodology that understands both humans, more-than-humans and technology as part of integrated ecologies.eng
dc.identifier.doi10.34632/jsta.2024.16050
dc.identifier.eid85213730227
dc.identifier.issn1646-9798
dc.identifier.urihttp://hdl.handle.net/10400.14/53424
dc.language.isoeng
dc.peerreviewedyes
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subjectAcoustic ecology
dc.subjectField recording
dc.subjectListening
dc.subjectTechnology arts and ethics
dc.titleWhy listen with animals? Straining toward an environmental resonanceeng
dc.typeresearch article
dspace.entity.typePublication
oaire.citation.endPage54
oaire.citation.issue1
oaire.citation.startPage37
oaire.citation.titleJournal of Science and Technology of the Arts
oaire.citation.volume16
oaire.versionhttp://purl.org/coar/version/c_970fb48d4fbd8a85

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