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Review: audio/visual makings. Practice-based research, post-digital hybridisation & techno-criticism

2025-12-15Artigo de revisão Acesso aberto
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dc.contributor.authorGago, Ana
dc.date.accessioned2026-03-23T10:43:50Z
dc.date.available2026-03-23T10:43:50Z
dc.date.issued2025-12-15
dc.description.abstractAnchored by the Pedro Ferreira’s own practice-based research, Audiovisual Disruption: Post-Digital Aesthetics in Contemporary Audiovisual Arts (2024) explores critical making as a way to address the impact(s) of digital technologies, in/through contemporary arts, and IRL. In this sense, the book’s theoretical-conceptual foundation, carefully set throughout its initial chapters, proceeds to be (de)materialized in the analysis of artistic projects that explore post-digital hybridisation, thus, challenging static categories of digital aesthetics, referenced from the analysis of Christiane Paul and Alexander Galloway. When trying to avoid insider-outsider, on and off, and other meta-existentialistic dichotomies, the author positions himself (as well as his audio/visuo/logical work/s) somewhere in between: media, medium, arts and techno-criticism. In this review, we synthesize Pedro Ferreira’s perspective, briefly relating it to other critical approaches, namely the idea of “multiple makings”, as proposed by Simon Bowen, and Tim Ingold’s “ways of making”.eng
dc.identifier.citationGago, A. (2025). Review: audio/visual makings. Practice-based research, post-digital hybridisation & techno-criticism. Journal of Science and Technology of the Arts, 17(2), 195-200. https://doi.org/10.34632/jsta.2025.18043
dc.identifier.doi10.34632/jsta.2025.18043
dc.identifier.eid105035888184
dc.identifier.issn1646-9798
dc.identifier.othera57f16b9-ca02-4a2f-8cc0-68481adc6d4f
dc.identifier.urihttp://hdl.handle.net/10400.14/57407
dc.identifier.wos001712064000011
dc.language.isoeng
dc.peerreviewedyes
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subjectAudiovisuology
dc.subjectCritical making
dc.subjectHybridisation
dc.subjectPost-digital aesthetics
dc.titleReview: audio/visual makings. Practice-based research, post-digital hybridisation & techno-criticismeng
dc.typereview article
dspace.entity.typePublication
oaire.citation.endPage200
oaire.citation.issue2
oaire.citation.startPage195
oaire.citation.titleJournal of Science and Technology of the Arts
oaire.citation.volume17
oaire.versionhttp://purl.org/coar/version/c_970fb48d4fbd8a85

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