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Resumo(s)
Na senda de uma sociologia da pluralidade disposicional, à qual se acrescenta a relevância do projeto e da construção de campos de possibilidade para a ação, analisam-se percursos juvenis de orquestra com base em retratos sociológicos, reconstituindo as transferências disposicionais entre os múltiplos processos e contextos de socialização, tendo por base a experiência na Orquestra Geração, projeto musical de inserção social com origem no El Sistema venezuelano. Assim, resgata-se a origem das disposições, bem como a força dos contextos da sua ativação (ou inibição), a par do seu potencial de transferibilidade para outros quadros de socialização. Conclui-se com o forte impacto da experiência orquestral na formação de novas competências e disposições, em desigual grau de intensidade consoante os atores, a singularidade dos seus percursos e os contextos em que se movem.
Following a sociology of dispositional plurality, to which is added the importance of the design and construction of possibility fields for action, we analyse youth orchestra pathways based on sociological portraits, reconstituting dispositional transfers between contexts and processes of socialization, based on the Generation Orchestra experience, which is a musical project of social inclusion originating in Venezuelan El Sistema. In this way, we intend to rescue the origin of dispositions and the strength of the contexts of their activation (or inhibition), together with its potential transferability to other frameworks for socialization. We conclude with the strong impact of orchestral experience in the formation of new skills and dispositions in uneven degree of intensity depending on the actors , the uniqueness of its pathways and the contexts in which they move.
Following a sociology of dispositional plurality, to which is added the importance of the design and construction of possibility fields for action, we analyse youth orchestra pathways based on sociological portraits, reconstituting dispositional transfers between contexts and processes of socialization, based on the Generation Orchestra experience, which is a musical project of social inclusion originating in Venezuelan El Sistema. In this way, we intend to rescue the origin of dispositions and the strength of the contexts of their activation (or inhibition), together with its potential transferability to other frameworks for socialization. We conclude with the strong impact of orchestral experience in the formation of new skills and dispositions in uneven degree of intensity depending on the actors , the uniqueness of its pathways and the contexts in which they move.
Descrição
Palavras-chave
Socialização Sisposições Música Escola Socialization Dispositions Music School