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History, theory and ethics of conservation and restoration applied to wooden painting in Portugal

dc.contributor.authorCarvalho, Salomé
dc.date.accessioned2018-01-23T15:30:22Z
dc.date.available2018-01-23T15:30:22Z
dc.date.issued2016
dc.description.abstractThe material study of Portuguese wooden painting presents shortcomings, justified by its generous production as well as by the social complexity of workshops. Our PhD project1 aimed to identify and define historic criteria and methodologies of past interventions and to separate them from original techniques of production, since it had never been done before. The project also aimed to find some corpus regarding Portuguese terminology, which was scarce.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.citationCarvalho, S. (2017). History, theory and ethics of conservation and restoration applied to wooden painting in Portugal. In Daphne de Luca (coord.), [Atti del Convegno]: I Giovani e iI restauro. L’arte nel tempo: Significato, Trasformazione e Conservazione, Roma, Itália, 24-26 Febbraio 2016. (5 p. ). Saonara: Il Pratopt_PT
dc.identifier.isbn9788863363326
dc.identifier.urihttp://hdl.handle.net/10400.14/23951
dc.language.isoengpt_PT
dc.peerreviewednopt_PT
dc.titleHistory, theory and ethics of conservation and restoration applied to wooden painting in Portugalpt_PT
dc.typeconference object
dspace.entity.typePublication
rcaap.rightsrestrictedAccesspt_PT
rcaap.typeconferenceObjectpt_PT

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