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Role-taking, role-making: the mask as a tool in David Wojnarowicz’s Arthur Rimbaud in New York

dc.contributor.authorRudari, Federico
dc.date.accessioned2025-02-19T17:00:34Z
dc.date.available2025-02-19T17:00:34Z
dc.date.issued2024-03
dc.description.abstractTraditionally, theatre actors wore masks to embody individuals with no clear identity. Masks did not feature specific anthropomorphic qualities, leaving audiences free to imagine the malleable and anonymous characters between fiction and actual plausibility. In contrast, in the photographic series Arthur Rimbaud in New York by artist, writer, and activist David Wojnarowicz, the use of a Rimbaud mask seems to have an opposite intention, overlapping meanings and allowing spatiotemporal compression. Portraying the French poet in different contexts and activities, Wojnarowicz is able to interpret the notion of identity and belonging following a narrative that is fictional, biographical and collective, addressing queer histories and temporalities. This paper discusses the multiple possibilities that the mask represents in this work.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.doi10.34619/ftkc-vdubpt_PT
dc.identifier.issn1646-1762
dc.identifier.urihttp://hdl.handle.net/10400.14/48183
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectMask(s)pt_PT
dc.subjectPersonapt_PT
dc.subjectPhotographypt_PT
dc.subjectSpatiotemporal compressionpt_PT
dc.subjectQueer culturept_PT
dc.subjectDavid Wojnarowiczpt_PT
dc.subjectArthur Rimbaudpt_PT
dc.subjectNew York Citypt_PT
dc.titleRole-taking, role-making: the mask as a tool in David Wojnarowicz’s Arthur Rimbaud in New Yorkpt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage94pt_PT
oaire.citation.issue17pt_PT
oaire.citation.startPage79pt_PT
oaire.citation.titleRevista de História da Artept_PT
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT

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