Publicação
Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967)
| dc.contributor.author | Mason, Matthew Raymond | |
| dc.date.accessioned | 2025-01-14T11:05:31Z | |
| dc.date.available | 2025-01-14T11:05:31Z | |
| dc.date.issued | 2024 | |
| dc.description.version | info:eu-repo/semantics/publishedVersion | pt_PT |
| dc.identifier.doi | 10.34632/9789725410172_7 | pt_PT |
| dc.identifier.issn | 9789725410172 | |
| dc.identifier.uri | http://hdl.handle.net/10400.14/47770 | |
| dc.language.iso | eng | pt_PT |
| dc.peerreviewed | yes | pt_PT |
| dc.publisher | UCP Editora | pt_PT |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0/ | pt_PT |
| dc.title | Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967) | pt_PT |
| dc.type | journal article | |
| dspace.entity.type | Publication | |
| oaire.citation.conferencePlace | Lisboa, Portugal | pt_PT |
| oaire.citation.endPage | 98 | pt_PT |
| oaire.citation.startPage | 83 | pt_PT |
| oaire.citation.title | Revolution & cinema | pt_PT |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | article | pt_PT |