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Abstract(s)
Os arquivos do cinejornal Noticiero ICAIC latino-americano reemergem hoje no espaço público, revelando um ponto de vista cubano sobre os golpes militares na América Latina. Dentro de uma abordagem semiótica, o artigo analisa a transformação da narrativa fílmica cubana a partir dos golpes de Estado latino-americanos e interroga a dimensão performativa da linguagem experimental que constitui a marca estética do Noticiero.
The archives of Latin American Noticiero ICAIC reemerges today in the public space, revealing a Cuban point of view over the military coups in Latin America. From a semiotic approach, the article analyzes the transformation of the Cuban film narrative within the rise of Latin American coups d’État and calls into question the performative dimension of the experimental language that constitutes the aesthetic brand of Noticiero.
The archives of Latin American Noticiero ICAIC reemerges today in the public space, revealing a Cuban point of view over the military coups in Latin America. From a semiotic approach, the article analyzes the transformation of the Cuban film narrative within the rise of Latin American coups d’État and calls into question the performative dimension of the experimental language that constitutes the aesthetic brand of Noticiero.
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Keywords
Noticiero ICAIC latinoamericano Linguagem experimental Performatividade História Arte Latin American Noticiero ICAIC Experimental language Performativity History Art Politics