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Composing for DMIs: entoa, music for intonaspacio

dc.contributor.authorMamedes, Clayton Rosa
dc.contributor.authorRodrigues, Mailis G.
dc.contributor.authorWanderley, Marcelo M.
dc.contributor.authorManzolli, Jônatas
dc.contributor.authorGarcia, Denise H.L.
dc.contributor.authorFerreira-Lopes, Paulo
dc.date.accessioned2025-09-15T07:54:28Z
dc.date.available2025-09-15T07:54:28Z
dc.date.issued2014-01-01
dc.description.abstractDigital Musical Instruments (DMIs) have difficulties establishing themselves after their creation. A huge number of DMIs is presented every year and few of them actually remain in use. Several causes could explain this reality, among them the lack of a proper instrumental technique, inadequacy of the traditional musical notation and the nonexistence of a repertoire dedicated to the instrument. In this paper we present the case study of Entoa, the first written music for Intonaspacio, a DMI we designed in our research project. We propose a process of composition that considers the design of the instrument as a required step in order to start defining an instrumental technique. We present an overview of the instrument and strategies for mapping data from sensors to sound processing, in order to accomplish an expressive performance.eng
dc.identifier.citationMamedes, C. R., Rodrigues, M. G., Wanderley, M. M., & Manzolli, J. et al. (2014). Composing for DMIs: entoa, music for intonaspacio. Proceedings of the International Conference on New Interfaces for Musical Expression, 509-512. https://doi.org/10.5281/zenodo.1178861
dc.identifier.doi10.5281/zenodo.1178861
dc.identifier.eid85124725988
dc.identifier.issn2220-4792
dc.identifier.otheraacad727-289b-4667-9ef6-ea4f4aa0c07f
dc.identifier.urihttp://hdl.handle.net/10400.14/54869
dc.language.isoeng
dc.peerreviewedyes
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subjectDMI
dc.subjectGestural acquisition
dc.subjectMapping
dc.subjectMusic composition
dc.titleComposing for DMIs: entoa, music for intonaspacioeng
dc.typeresearch article
dspace.entity.typePublication
oaire.citation.endPage512
oaire.citation.startPage509
oaire.citation.titleProceedings of the International Conference on New Interfaces for Musical Expression
oaire.versionhttp://purl.org/coar/version/c_970fb48d4fbd8a85

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