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Christian memory in contemporary music creation: tensions and transitions

dc.contributor.authorTeixeira, Alfredo
dc.date.accessioned2025-10-20T09:58:25Z
dc.date.available2025-10-20T09:58:25Z
dc.date.issued2024-01-01
dc.description.abstractAfter a period in which secularisation as an explanatory model – linear and teleological – became hegemonic in the social sciences, it became necessary to find other ways of accessing the sites of religious reconfiguration in the context of multiple modernities. In this situation, it has become crucial to bring the scientific gaze, at different scales, closer to the places where new relationships between the sphere of the religious and other social worlds are established, mediated by the displacements of the sacred. This article explores contemporary musical creation as a laboratory for discovering these new configurations.eng
dc.identifier.citationTeixeira, A. (2024). Christian memory in contemporary music creation: tensions and transitions. Acta Universitatis Carolinae Theologica, 14(2), 31-58. https://doi.org/10.14712/23363398.2025.3
dc.identifier.doi10.14712/23363398.2025.3
dc.identifier.eid105017284026
dc.identifier.issn1804-5588
dc.identifier.otheree0371f2-ae94-4673-a6e0-3a7390af9300
dc.identifier.urihttp://hdl.handle.net/10400.14/55382
dc.identifier.wos001580434800002
dc.language.isoeng
dc.peerreviewedyes
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subjectChristian memory
dc.subjectMusic
dc.subjectReligion
dc.subjectSacredness
dc.subjectSecularity
dc.titleChristian memory in contemporary music creation: tensions and transitionseng
dc.typeresearch article
dspace.entity.typePublication
oaire.citation.endPage58
oaire.citation.issue2
oaire.citation.startPage31
oaire.citation.titleActa Universitatis Carolinae Theologica
oaire.citation.volume14
oaire.versionhttp://purl.org/coar/version/c_970fb48d4fbd8a85

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