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Abstract(s)
This article focus on the curatorial work involved in the construction of places of memorylike a photobiography or an artistic foundation. Despite being iniciatives of differentnature and scope, both examples aim to keep alive the memory of those who built them.The article explores the production of the photobiography that occupied JĂșlio Resendefor several years and that would be edited posthumously, and addresses the life andwork of an artist (1917-2011) who wanted to shape how he would be remembered, aself-curating artist.
Description
Keywords
Autophotobiography Memory Self-curating JĂșlio Resende
Pedagogical Context
Citation
Publisher
Fundação Arpad Szenes-Vieira da Silva