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Abstract(s)
Este artigo visa discutir o conceito de escuta íntima a partir da análise das características de gravação sonora no campo da música eletroacústica elaborada por Denise Garcia e da vigilância sonora por Dimitrios Pavlounis. Estas análises são atualizadas e relacionadas aos estudos de Helle Klausen sobre a gravação e reprodução binaural de áudio em conteúdos ASMR e nas obras de artsoundveillance elaboradas pela autora deste artigo. Considera-se que a escuta íntima pode ser observada como uma poética sonora em obras de arte sonora cuja imersão sensorial é potencializada pela gravação binaural dos sons.
This article aims to discuss the concept of intimate listening by analyzing the characteristics of sound recording in the field of electroacoustic music, as elaborated by Denise Garcia, and sound surveillance, as explored by Dimitrios Pavlounis. These analyses are updated and related to Helle Klausen's studies on the binaural recording and reproduction of audio in ASMR content and in the works of artsoundveillance created by the author of this article. It is considered that intimate listening can be observed as a sound poetics in sound art, where sensory immersion is enhanced by the binaural recording of sounds.
This article aims to discuss the concept of intimate listening by analyzing the characteristics of sound recording in the field of electroacoustic music, as elaborated by Denise Garcia, and sound surveillance, as explored by Dimitrios Pavlounis. These analyses are updated and related to Helle Klausen's studies on the binaural recording and reproduction of audio in ASMR content and in the works of artsoundveillance created by the author of this article. It is considered that intimate listening can be observed as a sound poetics in sound art, where sensory immersion is enhanced by the binaural recording of sounds.
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Keywords
Escuta íntima Som binaural ASMR Intimate listening Binaural sound ASMR