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From walking artist… to walking visitor… to walking researcher

dc.contributor.authorCastro, Laura
dc.date.accessioned2024-10-02T14:19:13Z
dc.date.available2024-10-02T14:19:13Z
dc.date.issued2018
dc.description.abstractIn this paper, we put forward a reading of the models of institutional relationship between art and the landscape, which has developed since the 1970s, along three lines: its creation, its reception, and its study, with the binding premise between the three being the act of walking, and those who walk. The reception of art and the place of the walking visitor is the theme, which has been most thoroughly developed, through an analysis of contemporary cases of exhibitions set in the landscape. The walking researcher arises inherently in any search for art situated in the landscape. The examination of the walking artist, understood in a free context here, stems from the institutionalisation of centres of art and landscape. Before looking into contemporary cases, it is worth taking a moment to consider the different types of relationship between the land and artistic practice, which define landscapes as either with, of or for art.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.issn2013-679X
dc.identifier.urihttp://hdl.handle.net/10400.14/46839
dc.language.isoengpt_PT
dc.peerreviewednopt_PT
dc.titleFrom walking artist… to walking visitor… to walking researcherpt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage13pt_PT
oaire.citation.startPage1pt_PT
oaire.citation.titleInterArtivept_PT
person.familyNameOliveira Castro
person.givenNameLaura
person.identifier.ciencia-id1413-F277-6D98
person.identifier.orcid0000-0002-8470-2557
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT
relation.isAuthorOfPublicationbaeb2943-854f-40ef-9e42-2554cfd8af54
relation.isAuthorOfPublication.latestForDiscoverybaeb2943-854f-40ef-9e42-2554cfd8af54

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