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Multiphonics as a compositional element in writing for amplified guitar (2)

dc.contributor.authorTorres, Rita
dc.contributor.authorFerreira-Lopes, Paulo
dc.date.accessioned2025-08-05T07:20:36Z
dc.date.available2025-08-05T07:20:36Z
dc.date.issued2012-01-01
dc.description.abstractMultiphonics on the classical guitar is currently being researched by the present authors in regard to the reproducibility of the sounds originated and the suitability of the technique as a compositional element in writing for amplified guitar. Our hypotheses are to be tested, for which criteria for the data collection and treatment were established and are here detailed.eng
dc.identifier.doi10.7559/citarj.v4i1.67
dc.identifier.issn1646-9798
dc.identifier.otherdd8e61bf-2c0e-4712-b1ee-a3bd29d37942
dc.identifier.urihttp://hdl.handle.net/10400.14/54133
dc.language.isoeng
dc.peerreviewedyes
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subjectAmplified guitar
dc.subjectCompositional element
dc.subjectExtended techniques
dc.subjectGuitar
dc.subjectGuitar multiphonics
dc.subjectMultiphonics
dc.subjectVirtual fret
dc.titleMultiphonics as a compositional element in writing for amplified guitar (2)eng
dc.typeresearch article
dspace.entity.typePublication
oaire.citation.endPage69
oaire.citation.issue1
oaire.citation.startPage61
oaire.citation.titleJournal of Science and Technology of the Arts
oaire.citation.volume4
oaire.versionhttp://purl.org/coar/version/c_970fb48d4fbd8a85

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