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This chapter aims to build on the work of João Maria Gusmão and Pedro Paiva to develop the ideas of spectrums and indexicality. Rather than trying to interpret or develop their ideas in some way, we will use their work, with particular emphasis on an exhibition from 2008, as objects of theoretical experimentation to understand how certain perspectives are reflected in them. To do this, we will start with the concept of “spectrum” and some perspectives based on it, such as that of Jacques Derrida, and we will outline a possible reading of the exhibition. We will then reject this perspective and, through spirit photography, develop a use for the word “spectrum” from another point of view, focusing the main divergence on the concept of indexicality. Finally, through this new perspective, we will understand how it has consequences for the approach to all art and experience, namely through Nelson Goodman’s concept of worldmaking
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Spectrum Indexicality Worldmaking João Maria Gusmão Pedro Paiva
Contexto Educativo
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UCP Editora
