Autores
Orientador(es)
Resumo(s)
O artigo propõe a revelação da obra de Annika von Hausswolff, concretamente ideias e conceitos ligados à encenação e à imagem fotográfica que resultaram de um diálogo com a própria artista. Aqui serão apuradas questões inerentes à prática artística: processos, inquietações e certezas; naquela intimidade foi cúmplice e performativa uma vez que dialogada entre duas artistas. E a obra de arte representou, por isso, um ponto de encontro, um motivo de celebração e o traçar de uma história em conjunto.
The article proposes the revelation of Annika von Hausswolff’s work, concretely ideas and concepts related to staging and the photographic image that rose from a dialogue with the artist herself. The article herein overhauls issues inherent to the artistic practice: processes, anxieties and certainties; in which intimacy was complicit and performative since it was dialogued between two artists. The work of art represented, therefore, a meeting point, a reason for celebration and to draw a story together.
The article proposes the revelation of Annika von Hausswolff’s work, concretely ideas and concepts related to staging and the photographic image that rose from a dialogue with the artist herself. The article herein overhauls issues inherent to the artistic practice: processes, anxieties and certainties; in which intimacy was complicit and performative since it was dialogued between two artists. The work of art represented, therefore, a meeting point, a reason for celebration and to draw a story together.
Descrição
Palavras-chave
Olhar Autorepresentação Encenação Realidade vs ficção Self-representation Intimancy Gaze Staging Self-Representation Reality vs Fiction
Contexto Educativo
Citação
Neves, S.P.I. (2018). Annika von Hausswolff: fingindo a realidade. Revista Croma, 6, (11), 100-107