Publicação
The new sentient and spectrums
| dc.contributor.editor | Gomes, José Alberto | |
| dc.contributor.editor | Carvalho, José Vasco | |
| dc.contributor.editor | Alves, Lorena Ferreira | |
| dc.date.accessioned | 2026-05-22T15:33:29Z | |
| dc.date.available | 2026-05-22T15:33:29Z | |
| dc.date.issued | 2026-05-01 | |
| dc.description.abstract | The book New Sentient and Spectrums emerges from a line of inquiry that weaves together artistic practice and theoretical reflection to examine the shifting nature of the sentient in contemporary conditions. Bringing together perspectives from art, technology, ecology, and posthuman thought, the book reflects on the transformation of the sentient in the posthuman era; an era marked by the increasing convergence of the human, the technological, and the natural. Within this landscape, art is framed as a speculative space that anticipates and experiments with new realities. While positioning art as a site of resistance and a generator of new imaginaries and modes of being, the book also addresses the impact of digital culture and artificial intelligence on contemporary perception and experience, raising critical questions about the commodification of the sentient within technological capitalism. The volume is structured around two main axes. The first, Speculative Practices, offers research and projects that examine experimental artistic practices related to ecology, emerging technologies, and the Anthropocene. Contributions engage with themes such as the interactivity between natural and artificial systems, expanded listening through soundscapes, electromagnetic signals, and vibrations, as well as the development of installations and performances that investigate expanded forms of consciousness and possible futures. Particular emphasis is placed on the articulation between organic matter, environmental processes, and digital media, proposing new forms of multispecies cohabitation. The second axis, Immersive Studies in Sound, Media and Cinema, focuses on theoretical and curatorial analyses that explore image and sound within immersive contexts. Documentary, animation, cinema, and sound art comprise the subjects, with a particular emphasis on audience sensory experience, the construction of acoustic identities, and the relationship between aesthetics and sociopolitical issues. | eng |
| dc.identifier.doi | 10.34632/9789725411995 | |
| dc.identifier.other | 8422d523-d555-47f0-a178-141fdd810a56 | |
| dc.identifier.uri | http://hdl.handle.net/10400.14/57806 | |
| dc.language.iso | eng | |
| dc.peerreviewed | yes | |
| dc.publisher | UCP Editora | |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc/4.0/ | |
| dc.subject | Sentient and spectrums | eng |
| dc.subject | New media art | eng |
| dc.subject | Sound studies | eng |
| dc.subject | Cinema | eng |
| dc.subject | Speculative practices | eng |
| dc.subject | Anthropocene | eng |
| dc.subject | Ecology | eng |
| dc.subject | Art and rechnology | eng |
| dc.subject | Posthuman | eng |
| dc.title | The new sentient and spectrums | |
| dc.type | book | |
| dspace.entity.type | Publication | |
| oaire.version | http://purl.org/coar/version/c_970fb48d4fbd8a85 |
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