Autores
Orientador(es)
Resumo(s)
A estruturação de uma nova religião − o cristianismo − não representou uma ruptura com a cultura e a arte greco-romanas. Contrariamente, verificou-se a apropriação de símbolos e imagens, que vão ser integradas em novos esquemas compositivos e dotadas de um significado distinto em correspondência com os novos princípios doutrinários. Neste quadro tem particular evidência a imagem do Crióforo greco-latino, cujo modelo formal se perpetuou na arte cristã sob a forma do Bom Pastor.
The appearance of a new religion, the christianity, did not represent a rupture with the greco-roman culture and art. Contrarily, it was verified the appropriation of symbols and images, that go to be integrated in new composite plans and endowed with one meaning distinct in correspondence with the new doctrinal principles. In this picture the image of the Kriophorus has particular evidence greco-latin, whose formal model was perpetuated in the christian art under the form of the Good Shepherd.
The appearance of a new religion, the christianity, did not represent a rupture with the greco-roman culture and art. Contrarily, it was verified the appropriation of symbols and images, that go to be integrated in new composite plans and endowed with one meaning distinct in correspondence with the new doctrinal principles. In this picture the image of the Kriophorus has particular evidence greco-latin, whose formal model was perpetuated in the christian art under the form of the Good Shepherd.
Descrição
Palavras-chave
Contexto Educativo
Citação
EUSÉBIO, Maria de Fátima - A apropriação cristã da iconografia greco-latina: o tema do Bom Pastor. Máthesis. Viseu. ISSN 0872-0215. Nº 14 (2005), p. 9-28.
Editora
Universidade Católica Portuguesa