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As narrativas nos remakes de telenovelas brasileiras - uma revisão bibliográfica
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As telenovelas brasileiras integram o cotidiano do país há quase seis décadas como um gênero de ficção televisiva com a peculiaridade de contar histórias divididas em episódios ou capítulos, em que o seguinte é a continuação do anterior. Tais narrativas tem o poder de cativar diariamente uma audiência fiel que acompanha o desenrolar de diversos entrelaces durantes meses. Enquadrada como produto da indústria cultural brasileira, a telenovela é o carro-chefe do setor de teledramaturgia até hoje no Brasil. Dada esta capacidade de alcance das telenovelas, o principal propósito dests artigo é discutir os principais conceitos que no futuro pretendem abordar os modelos narrativos de remakes de telenovelas (tendo como foco produções brasileiras). Tendo em conta que este artigo integrará parte da investigação de uma tese de Doutoramento, pretendemos, com ele, levantar definições para enquadrá-las no campo de pesquisa a qual se inserem. Esta revisão bibliográfica será essencial para que, posteriormente, sejam compreendidas as diferenças estruturais presentes nas narrativas de remakes de telenovelas quando comparadas aos seus originais de forma a verificar até que ponto as histórias das duas versões (de uma mesma telenovela) distanciam-se e cruzam-se.
Brazilian telenovelas have been part of the country's daily life for almost six decades as a genre of television fiction with the peculiarity of telling stories divided into episodes or chapters, in which the next one is a continuation of the previous one. Such narratives have the power to captivate a loyal daily audience that follows the unfolding of several interlacing events over the course of months. Framed as a product of the Brazilian cultural industry, telenovela is the flagship of the teledramaturgy sector until today in Brazil. Given this reach of telenovelas, the main purpose of this article is to discuss the main concepts that in the future intend to address the narrative models of telenovela remakes (focusing on Brazilian productions). Taking into account that this article will integrate part of the research of a PhD thesis, we intend with it to raise definitions to frame them in the research field to which they belong. This bibliographic review will be essential to subsequently understand the structural differences present in the narratives of telenovela remakes when compared to their originals in order to verify to what extent the stories of the two versions (of the same telenovela) are distant and intersect.
Brazilian telenovelas have been part of the country's daily life for almost six decades as a genre of television fiction with the peculiarity of telling stories divided into episodes or chapters, in which the next one is a continuation of the previous one. Such narratives have the power to captivate a loyal daily audience that follows the unfolding of several interlacing events over the course of months. Framed as a product of the Brazilian cultural industry, telenovela is the flagship of the teledramaturgy sector until today in Brazil. Given this reach of telenovelas, the main purpose of this article is to discuss the main concepts that in the future intend to address the narrative models of telenovela remakes (focusing on Brazilian productions). Taking into account that this article will integrate part of the research of a PhD thesis, we intend with it to raise definitions to frame them in the research field to which they belong. This bibliographic review will be essential to subsequently understand the structural differences present in the narratives of telenovela remakes when compared to their originals in order to verify to what extent the stories of the two versions (of the same telenovela) are distant and intersect.
Descrição
Palavras-chave
Teledramaturgia Telenovela Remake Televisão
Contexto Educativo
Citação
Editora
Associação Portuguesa de Ciências da Comunicação