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The use of Tylose® MH 300 in the chromatic reintegration of matte contemporary pictorial surfaces
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Orientador(es)
Resumo(s)
The chromatic reintegration of matte contemporary artworks poses countless challenges due to the artist’s usage of new techniques and materials which result in surfaces that are extremely susceptible to physical and chemical damage and that tend to present alterations and losses that interfere with the comprehension of the artworks. To find compatible inpainting materials, several binders were prepared into samples, put through natural and accelerated aging tests, and evaluated for physical stability, chromatic and gloss variations, solubility, and removability. One presented an outstanding result: Tylose® MH 300 P2, a water-soluble non-ionic cellulose ether, highly matte and stable, with positive results on chromatic stability. To validate the tests’ results in a practical context, Tylose® was used as a retouching binder for two artworks presenting characteristic problems of matte-surfaced artworks. It proved to be versatile, and easy to handle. This research aims that Tylose ® becomes a viable alternative binder for retouching matte-surfaced artworks.
Descrição
Palavras-chave
binder, Tylose® MH 300 P2 Chromatic reintegration Contemporary artworks Matte surfaces Reversibility
Contexto Educativo
Citação
Diniz, J., & Teixeira, J. (2025). The use of Tylose® MH 300 in the chromatic reintegration of matte contemporary pictorial surfaces. In A. Bailão, & M. Boavida (Eds.), Proceedings 7th International Meeting on Retouching of Cultural Heritage, RECH7 (pp. 1-11). Universidade de Lisboa.
Editora
Universidade de Lisboa
Licença CC
Sem licença CC