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Julião Sarmento: the innuendo of the real

dc.contributor.authorAmorim, João Pedro
dc.date.accessioned2021-09-06T16:22:56Z
dc.date.available2021-09-06T16:22:56Z
dc.date.issued2021
dc.description.abstractJulião Sarmento’s body of work crosses multiple artistic disciplines and fields. The artist resorts to film and video as a means to reach the artistic expression of an idea, open to an infinitude of interpretations. This audiovisual essay looks at the way Julião Sarmento works with moving images, focusing in three main perspectives: the word, the (feminine) body and rhythm. We conclude that each one of Sarmento’s works builds a system of codes, of communication, that opens new understandings of the human relation with the ‘real’.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.doi10.34632/jsta.2021.9848pt_PT
dc.identifier.eid85113158672
dc.identifier.issn1646-9798
dc.identifier.urihttp://hdl.handle.net/10400.14/34660
dc.identifier.wos000690852200005
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectFilmworkspt_PT
dc.subjectJulião Sarmentopt_PT
dc.subjectMoving imagept_PT
dc.subjectThe realpt_PT
dc.titleJulião Sarmento: the innuendo of the realpt_PT
dc.typejournal article
dspace.entity.typePublication
oaire.citation.endPage79pt_PT
oaire.citation.issue1pt_PT
oaire.citation.startPage72pt_PT
oaire.citation.titleJournal of Science and Technology of the Artspt_PT
oaire.citation.volume13pt_PT
person.familyNameAmorim
person.givenNameJoão Pedro
person.identifier.ciencia-id7B14-AFBC-4444
person.identifier.orcid0000-0002-0267-1276
rcaap.rightsopenAccesspt_PT
rcaap.typearticlept_PT
relation.isAuthorOfPublication6edb19cf-f704-404b-a10f-161b897e27aa
relation.isAuthorOfPublication.latestForDiscovery6edb19cf-f704-404b-a10f-161b897e27aa

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