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Publication
As reservas visitáveis do Musée des Arts et Métiers em Paris
| Name: | Description: | Size: | Format: | |
|---|---|---|---|---|
| 3.3 MB | Adobe PDF |
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Abstract(s)
As reservas visíveis e ou visitáveis tornaram-se um fenómeno recorrente no panorama museológico internacional, em resultado das profundas mudanças ocorridas na sociedade contemporânea pós-moderna, das quais estacamos o primado do museu como factor de comunicação e a acessibilidade às colecções/bens culturais. Este artigo tem como objectivo refletir sobre este processo e sobre os conceitos que lhe estão subjacentes, a fim de se compreender as experiências levadas a cabo pelos museus no domínio da transformação das reservas em locais de visita ao público e dos processos de concepção, gestão, conservação e divulgação das colecções que lhe estão associados, de modo a elaborar-se um referencial de boas práticas, sobre condições de reserva. Analisamos aqui a experiência que vivenciamos ao caso de estudo das Reservas do Musée des Arts et Métiers de Paris, uma referência no cenário europeu.
Visible and or open storages become a recurrent phenomenon in the international panorama museum, as a result of deep changes occurred in contemporary postmodern society, of which we highlight the primacy of communication and the collections access. In this article we think over this process and on the concepts behind it in order to understand the experiences undertaken by museums in general in this field, and most of all on the storage organization, management, preservation and divulgation collections policies, towards to elaborate a frame of references of storage conditions best practices. Accordingly the storage of the Musée des Arts et Métiers (Paris) case study is analyzed, since it is considered a museological reference in the European scene.
Visible and or open storages become a recurrent phenomenon in the international panorama museum, as a result of deep changes occurred in contemporary postmodern society, of which we highlight the primacy of communication and the collections access. In this article we think over this process and on the concepts behind it in order to understand the experiences undertaken by museums in general in this field, and most of all on the storage organization, management, preservation and divulgation collections policies, towards to elaborate a frame of references of storage conditions best practices. Accordingly the storage of the Musée des Arts et Métiers (Paris) case study is analyzed, since it is considered a museological reference in the European scene.
Description
Keywords
Best practices Boas práticas Conservação preventiva Open storage Preventive conservation Reservas do Musée des Arts et Métiers Reservas visíveis Storage of Musée des Arts et Métiers Visible storage