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Na primeira metade do século XX, a chegada da cor ao cinema deu-lhe um novo e muito relevante poder. Os significantes psicológicos e afetivos das mais variadas cores, bem aplicados, podem dotar a obra cinematográfica de uma extraordinária implicação narrativa que provoca forte impacto afetivo e dramático no espectador. Ao longo deste trabalho pretendemos refletir sobre as possibilidades que a cor trouxe ao cinema, indo além da estética e assumindo um lugar de destaque no campo da narrativa.
In the first half of the 20th century, the arrival of color in cinema gives it a new and very relevant power. The psychological and affective signifiers of the most varied colors, if properly applied, can give the cinematographic work an extraordi-nary narrative involvement that provokes a strong affective and dramatic impact on the spectator. Throughout this work, we intend to reflect on the possibilities that color has brought to the cinema, going beyond aesthetics and assuming a prominent position in the field of narrative.
In the first half of the 20th century, the arrival of color in cinema gives it a new and very relevant power. The psychological and affective signifiers of the most varied colors, if properly applied, can give the cinematographic work an extraordi-nary narrative involvement that provokes a strong affective and dramatic impact on the spectator. Throughout this work, we intend to reflect on the possibilities that color has brought to the cinema, going beyond aesthetics and assuming a prominent position in the field of narrative.
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Cinema Cor Estético Narrativa Realismo Color Aesthetic Narrative Realism