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Revolution & cinema

dc.contributor.editorRibas, Daniel
dc.contributor.editorCrespo, Nuno
dc.date.accessioned2024-12-09T16:56:21Z
dc.date.available2024-12-09T16:56:21Z
dc.date.issued2024-10
dc.description.abstractIn this volume we gathered the contributions of various researchers that aim to address the relationship between cinema and revolution. The book opens with a conversation between Ros Gray, specialist in militant filmmaking, particularly in relation to liberation struggles and revolutionary movements in Mozambique, Angola, Guinea-Bissau and Burkina Faso, and June Givanni, film curator, archivist, international consultant around Pan-African cinema and founding director of the June Givanni Pan-African Cinema Archive (JGPACA). This volume also gathers contributions by: Aldones Silva on the work of the Brazilian visual artist Marcela Cantuária; Eduardo Prado Cardoso and his reading of the film Malunguinho directed by Felipe Peres Calheiros; Isabel Capeloa Gil on colonial memories of Portuguese cinema; João Oliveira Duarte and the relationship between present, future and past in Fiona Tan’s work Facing Forward; Matthew Mason and the tension between Marxism and post-modernism via Jean-Luc Godard’s La Chinoise; and Riccardo Uras on the absence of debate on Italy’s colonial past and its myths, through the analysis of Adwa: An African Victory by Haile Gerima, and Blood Is Not Fresh Water by Theo Eshetu.pt_PT
dc.description.versioninfo:eu-repo/semantics/publishedVersionpt_PT
dc.identifier.doi10.34632/9789725410172pt_PT
dc.identifier.isbn9789725410172
dc.identifier.urihttp://hdl.handle.net/10400.14/47470
dc.language.isoengpt_PT
dc.peerreviewedyespt_PT
dc.publisherUCP Editorapt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectCinemapt_PT
dc.subjectPan-African cinemapt_PT
dc.subjectFilmpt_PT
dc.titleRevolution & cinemapt_PT
dc.typebook
dspace.entity.typePublication
oaire.citation.conferencePlaceLisboapt_PT
rcaap.rightsopenAccesspt_PT
rcaap.typebookpt_PT

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