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Abstract(s)
O objetivo deste ensaio é o de enquadrar a análise do Moby Dick de Melville feita pela filósofa, ensaísta, poetisa e pensadora Dalila Pereira da Costa à luz da grelha conceptual desenvolvida pela Fenomenologia e Hermenêuticas da Religião. A evocação de categorias de análise como sagrado e mistério ou de conceitos como mito e símbolo, usados por autores como G. van der Leuuw, R. Otto, M. Eliade, P. Ricoeur, J. M. Velasco, ajudam a contextualizar e aclarar as linhas de interpretação desenvolvidas pela autora portuense.
The purpose of this essay is to frame the analysis of Melville's Moby Dick made by the philosopher, essayist, poet and thinker Dalila Pereira da Costa in the light of the conceptual framework developed by Phenomenology and Hermeneutics of Religion. The hint of analysis categories such as sacred and mystery or concepts such as myth and symbol, used by authors such as G. van der Leuuw, R. Otto, M. Eliade, P. Ricoeur, J. M. Velasco, help us to contextualize and clarify the lines of interpretation developed by this Oporto author.
The purpose of this essay is to frame the analysis of Melville's Moby Dick made by the philosopher, essayist, poet and thinker Dalila Pereira da Costa in the light of the conceptual framework developed by Phenomenology and Hermeneutics of Religion. The hint of analysis categories such as sacred and mystery or concepts such as myth and symbol, used by authors such as G. van der Leuuw, R. Otto, M. Eliade, P. Ricoeur, J. M. Velasco, help us to contextualize and clarify the lines of interpretation developed by this Oporto author.
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Keywords
Dalila Pereira da Costa Melville Sagrado Mistério Mal Símbolo Sacred Mystery Evil Symbol