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Orientador(es)
Resumo(s)
This paper discusses the development of HASGS regarding augmentation procedures applied to an acoustic instrument. This development has been driven by the compositional aspects of
the original music created in specific for this instrumental electronic augmented system. Instruments are characterized not only by their sound and acoustical properties but also by their performative
interface and repertoire. This last aspect has the potential to establish a
practice among performers at the same time as creating the ideal of community contributing to the past, present and future of that instrument. Augmenting an acoustic instrument places some
limitations on the designer ́s palette of feasible gestures because of those intrinsic performance gestures, and the existing mechanical interface, which have been developed over years, sometimes,
centuries of acoustic practice. We conclude that acoustic instruments
and digital technology, are able to influence and interact mutually creating Augmented Performance environments based on the aesthetics and intentions of repertoire being developed.
Descrição
Palavras-chave
Saxophone Augmented instruments Gestural interaction Live electronics
Contexto Educativo
Citação
Portovedo, H., Ferreira-Lopes, P., Mendes, R. (2018). HASGS The Repertoire as an Approach to Prototype Augmentation. In ICLI 2018 - 4th International Conference on Live Interfaces: Inspiration, Performance, Emancipation, Porto, Portugal, 14-16 June 2018. (pp. 45-51). Porto: Universidade
Editora
Universidade do Porto