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Ce travail établit un parallèle entre trois oeuvres romantiques de la première moitié du XIXème siècle : un roman «Notre-Dame de Paris», une pièce de théâtre «Le Roi s’amuse» de Victor Hugo, et le roman portugais de Alexandre Herculano «O Bobo». Nous avons cherché à mettre en évidence les aspects simultanément opposés et complémentaires du sublime et du grotesque qui caractérisent la production romantique de l’époque. Ces deux facettes sont analysées dans les différentes composantes des trois oeuvres : les personnages, les situations décrites, les milieux représentés et leur climat, les décors choisis, etc… Une référence sommaire aux conditions de production de ces oeuvres permet de comprendre pourquoi, dans des pays différents, un mouvement littéraire a poussé des artistes et des écrivains à révolutionner les arts, et en particulier l’écriture, leur apportant de nouveaux concepts esthétiques en rupture avec le classicisme.
This essay draws a parallel among three romantic works of the first half of the 19th- century: a novel, Notre-Dame de Paris; a play, Le roi s’amuse by Victor Hugo; and Alexandre Herculano’s Portuguese novel, O Bobo. The opposing and complementary aspects of the sublime and the grotesque, which characterize the romantic production of the period, are simultaneously stressed in the essay. These two sides are analysed bearing in mind different components of the three literary works: the characters, the described situations, the represented environments and their atmosphere, among others. A brief reference to the condition of the aforementioned works’ production reveals why in different countries a literary movement stimulated the artists and the writers to revolutionize the arts, and, particularly, the writing process, thus proposing new aesthetic concepts that break with Classicism.
This essay draws a parallel among three romantic works of the first half of the 19th- century: a novel, Notre-Dame de Paris; a play, Le roi s’amuse by Victor Hugo; and Alexandre Herculano’s Portuguese novel, O Bobo. The opposing and complementary aspects of the sublime and the grotesque, which characterize the romantic production of the period, are simultaneously stressed in the essay. These two sides are analysed bearing in mind different components of the three literary works: the characters, the described situations, the represented environments and their atmosphere, among others. A brief reference to the condition of the aforementioned works’ production reveals why in different countries a literary movement stimulated the artists and the writers to revolutionize the arts, and, particularly, the writing process, thus proposing new aesthetic concepts that break with Classicism.
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DINIS, Danielle Foucaut - Le sublime et le grotesque dans l'étude comparée de trois oeuvres: O Bobo de Alexandre Herculano et Notre-Dame de Paris et Le Roi s'amuse de Victor Hugo. Máthesis. Viseu. ISSN 0872-0215. Nº 14 (2005),p. 205-221.
Editora
Universidade Católica Portuguesa