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Abstract(s)
A obra poética de Patrice de la Tour du Pin (1911-1975) é aqui estudada sob o signo de um projeto de escrita teopoética. Após uma breve apresentação biográfica, com a sua inscrição nos processos eclesiais de renovação da liturgia católica no pós-concílio Vaticano II, seguiremos a reflexão que o poeta fez sobre a relação entre a liturgia e a criação poética, expressa em artigos e conferências; finalmente, será feita uma breve leitura de dois poemas de Tour du Pin e um hino de Gregório de Nazianzo, que o poeta francês assumiu como fonte inspiradora. Finalmente, colocam-se interrogações quanto à relação entre liturgia e teoliterária.
Patrice de la Tour du Pin’s (1911-1975) poetic work is studied here under the sign of a theopoetics writing project. After a brief biographical presentation, considering his participation in ecclesiastical processes in the liturgical renew af-ter the Council Vatican II, we will follow the poet’s reflection on liturgy and poetic creation which is expressed in articles and conferences. Finally, the study briefly reads two Tour du Pin’s poems and a hymn by Gregory of Nazianzus, the last one assumed as inspiring source by the poet. At last, the work interrogate the relationship between liturgy and theoliterature.
Patrice de la Tour du Pin’s (1911-1975) poetic work is studied here under the sign of a theopoetics writing project. After a brief biographical presentation, considering his participation in ecclesiastical processes in the liturgical renew af-ter the Council Vatican II, we will follow the poet’s reflection on liturgy and poetic creation which is expressed in articles and conferences. Finally, the study briefly reads two Tour du Pin’s poems and a hymn by Gregory of Nazianzus, the last one assumed as inspiring source by the poet. At last, the work interrogate the relationship between liturgy and theoliterature.
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Keywords
Teopoética Patrice de la Tour du Pin Liturgia Liturgy Theopoetic