Browsing by Author "Martins, Adriana Alves de Paula"
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- Archives, portuguese film and the visual re-writing of SalazarismPublication . Martins, Adriana Alves de Paula
- Banksy’s ‘Dismaland’ or art as an agent of changePublication . Martins, Adriana Alves de PaulaThis paper will discuss the subversive cultural and political meanings deriving from the construction and dismantlement of Dismaland, a temporary art installation created by Banksy in 2015 that addressed a wide range of evils of globalization from the effects of climate change to the refugee crisis. By considering the exhibition first and foremost as “form of resistance to sanctioned imagery” (Anna Wactawek, 2011: 73), I will examine how through the creation of a utopia in reverse Banksy (i) challenged the construction of the social in visual terms; (ii) questioned modes of reception; and (iii) advocated social consciousness in an epoch of indifference towards the Other.
- BAYLIN, Bernard. Atlantic History. Concepts and Contours (Cambridge/London, Harvard University Press, 2005) 149 pp.Publication . Martins, Adriana Alves de Paula
- "Burr e Memorial do Convento ou a superação do(s) abuso(s) da memória"Publication . Martins, Adriana Alves de Paula
- O cinema americano e a mentira da guerra em Hollywood de Gore VidalPublication . Martins, Adriana Alves de PaulaNeste ensaio, o meu objectivo é estudar o romance Hollywood de Gore Vidal, publicado em 1990, para examinar, por um lado, como o escritor associa a capital da política americana com a capital do entretenimento popular, e, por outro, como o romance histórico transforma-se num meio/espaço controverso na representação da guerra e na sua interacção com o cinema. Estou particularmente interessada em analisar como Vidal discute o relevante papel político e ideológico desempenhado pela indústria cinematográfica na tentativa de persuadir o povo americano a apoiar a participação do país na impopular Primeira Grande Guerra. Para além disso, pretendo discutir como Vidal problematiza a consolidação do império americano e as suas implicações políticas através do visionamento da história, reflectindo sobre como a literatura e o cinema podem ser considerados instrumentos políticos polémicos.
- Diamantino Vizeu en "Sangue Toureiro" (1958) y la construcción de género en el SalazarismoPublication . Martins, Adriana Alves de Paula
- "Um escritor encara-se no espelho: Gore Vidal em The golden age"Publication . Martins, Adriana Alves de Paula
- Introduction : Saramago and the politics of literary quotationPublication . Sabine, Mark; Martins, Adriana Alves de Paula
- A literatura portuguesa contemporânea enquanto descoberta da naçãoPublication . Martins, Adriana Alves de Paula
- Orhan Pamuk and the construction of Turkey’s national memory in Istanbul. Memories of a CityPublication . Martins, Adriana Alves de PaulaPamuk‘s Istanbul. Memories of a City (2005), more than a book of individual memoirs, is a review of significant moments of Turkey‘s history, through which the writer addresses issues of national representation and identity. By analysing how Pamuk‘s book revises Turkey‘s cultural memory when the country‘s membership in the EU is considered a controversial key issue to the stability of Europe in the future, my aim is to examine to what extent the debate on Turkey‘s membership in the EU perpetuates Western representations of the oriental world in cultural and ideological terms.