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Abstract(s)
A relação entre trauma, memória e representação é tanto estreita quanto problemática, conflitual e aporética. Se, por um lado, memória e representação são mutuamente constitutivas, representação e trauma, por outro, são dois conceitos antagónicos; senão mesmo mutuamente exclusivos. Através da análise do filme Filha da Guerra (Jasmila Zbanic, 2006), e com base em teorias da memória e nos estudos de género, este artigo procura perceber de que forma a guerra da Bósnia é representada e recordada no presente pósconflito, de que modo o trauma é articulado através da representação cinematográfica e, por fim, em que medida é possível pensar as memórias de género como “contra-memória” às narrativas hegemónicas da guerra e da violência.
The relationship between trauma, memory and representation is as intimate as aporetic, contentious and problematic. If memory and representation are, on the one hand, mutually constitutive, representation and trauma, on the other, are antagonic, if not mutually exclusive concepts. Focusing on Esma’s Secret (Jasmila Zbanic, 2006), and drawing from theories on memory and gender studies, this article inquires into the way the Bosnian war is recalled and represented in the post-conflict present, i.e. how trauma is articulated through filmic representation, and finally, the extent to which it is possible to think of gendered memories as “counter-memories” to the hegemonic discourse of war and violence.
The relationship between trauma, memory and representation is as intimate as aporetic, contentious and problematic. If memory and representation are, on the one hand, mutually constitutive, representation and trauma, on the other, are antagonic, if not mutually exclusive concepts. Focusing on Esma’s Secret (Jasmila Zbanic, 2006), and drawing from theories on memory and gender studies, this article inquires into the way the Bosnian war is recalled and represented in the post-conflict present, i.e. how trauma is articulated through filmic representation, and finally, the extent to which it is possible to think of gendered memories as “counter-memories” to the hegemonic discourse of war and violence.
Description
Keywords
Memória Trauma Representação Género Guerra da Bósnia Jasmila Zbanic Memory Trauma Representation Gender Bosnian War
Citation
AGOSTINHO, Daniela - “Bósnia, minha pátria ferida”: trauma, pós-memória e representação em 'Filha da Guerra'. Imagofagia [Em linha]. 7 (2013). Disponível na Internet: http://www.asaeca.org/imagofagia/sitio/index.php?option=com_content&view=article&id=277:bosnia-minha-patria-ferida-trauma-pos-memoria-e-representacao-em-filha-da-guerra&catid=50:numero-7&Itemid=144 . ISSN: 1852-9550
Publisher
Asociación Argentina de Estudios de Cine y Audiovisual