Between marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967)

Mason, Matthew Raymond2025-01-142025-01-1420249789725410172http://hdl.handle.net/10400.14/47770engBetween marxism and postmodernism: ‘cultural revolution’ and the Sino-Soviet split as entertainment in Jean-Luc Godard’s “La chinoise” (1967)journal article10.34632/9789725410172_7