Vale, Paulo Pires do2021-04-272021-04-2720181677-1222http://hdl.handle.net/10400.14/32747Neste ensaio, procurarei compreender a recusa da sacralização da arte – e a negação do museu como lugar de culto dessa nova religião –, partindo de uma análise de um movimento religioso que se caracteriza por ter recusado o antigo sagrado e negado as formas elementares da religião arcaica: o cristianismo. No cristianismo, a subversão da economia religiosa tradicional acontece no interior do próprio fenómeno religioso – deste modo, compreenderemos, ao fim deste percurso, o anti-museu enquanto movimento artístico interior ao sistema: proposta de uma relação pós-religiosa (pós-artística) com a obra.In this essay, I wish to understand how it is possible to reject the sacralisation of art - and the denial of the museum as the place of worship of this new religion - taking as starting point an analysis of a religious movement which is notorious for having rejected ancient sacred beliefs, and denied the elementary forms of ancient religion: Christianity. In Christianity, the subversion of the traditional religious exchange occurs from within the religious phenomenon itself - in this same way, by this journey's end we shall better understand the anti-museum as an artistic movement within its own system: a proposed post-religious (post-artistic) relationship with the work of art.porCrençaAteísmoAnti-museuDessacralizaçãoCristianismoKenosisVazioAtheismAnti-museumDesacralizationChristianityKenosisEmptinessjournal article10.23925/1677-1222.2018vol18i1a3000436971300003